Monday, June 22, 2015

Exploring the Many Slides of Gravity
Exploring the Many Sides of Gravity

Poetic / Prosaic —  

There is a mystical virtue in right angles. There is an unspoken morality in seeking the level and plumb. A house will hold together only if the joints are square and the members upright. When the bubble is lined up between two marks etched in the glass tube of a level, you have aligned yourself with the forces that hold the universe together. 

— Scott Russell Sanders, from THE PARADISE OF BOMBS

Prosaic-Poetic / Scientific —

Reconciling Gabriel Marcel and Ida Rolf

Life is not a problem to be solved, but a mystery to be lived.
— Gabriel Marcel
Consign your body to gravity.
— Ida P. Rolf
Indeed, gravity is that force which holds the universe together.
And yet, we observe that the universe is expanding.
Then, gravity must be an expansive force too.
Scientifically, we know that gravity on Earth has two operations.
Everyone is quite familiar with the one, the downward pull of gravity.
“Let go your cup of Joe, you know where it go.”
But there is the other side of gravity.
It is expansive and lifting.
Exquisitely so.
I know it is.
Not from a book.
Well, I also did read it in a book.*
But mainly and importantly from my own direct lived experience.
While learning how to live fully adapted with the gravity field of the Earth.
What is that experience?
Feet firmly rooted to the Earth.
A subtle yet definite and powerful liftedness toward the heavens.
In between . . . the great mystery of life, everything and nothing.
The force of gravity is always attractive.
— Isaac Newton
I like it. I’ll take it.
— David Wronski


Scientific—


*Centripetal Force and Centrifugal Force

Centripetal force and centrifugal force [are the] action-reaction force pair associated with circular motion. According to Newton's first law of motion, a moving body travels along a straight path with constant speed (i.e., has constant velocity) unless it is acted on by an outside force. For circular motion to occur there must be a constant force acting on a body, pushing it toward the center of the circular path. This force is the centripetal ("center-seeking") force. For a planet orbiting the sun, the force is gravitational; for an object twirled on a string, the force is mechanical; for an electron orbiting an atom, it is electrical. The magnitude F of the centripetal force is equal to the mass m of the body times its velocity squared v  2 divided by the radius r of its path: F = mv 2/ r. According to Newton's third law of motion, for every action there is an equal and opposite reaction. The centripetal force, the action, is balanced by a reaction force, the centrifugal ("center-fleeing") force. The two forces are equal in magnitude and opposite in direction. The centrifugal force does not act on the body in motion; the only force acting on the body in motion is the centripetal force. The centrifugal force acts on the source of the centripetal force to displace it radially from the center of the path. Thus, in twirling a mass on a string, the centripetal force transmitted by the string pulls in on the mass to keep it in its circular path, while the centrifugal force transmitted by the string pulls outward on its point of attachment at the center of the path. The centrifugal force is often mistakenly thought to cause a body to fly out of its circular path when it is released; rather, it is the removal of the centripetal force that allows the body to travel in a straight line as required by Newton's first law. If there were in fact a force acting to force the body out of its circular path, its path when released would not be the straight tangential course that is always observed.  
Source: Infoplease®




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Wednesday, June 3, 2015

Imhotep’s Secret


Imhotep is the designer of the very first pyramid. He was also a master of medicine. A great public official. High priest. Arguably, the very best of the ancient world.

Still the question we all want answered is just how they made the pyramids. Whatever your pet theory, surely at the heart of it, it still settles into mystery. Unknown, and unknowable. At least, in conventional technical scientific terms.

It may be the stuff of the kind of higher knowledge the ancients took with them to their graves. Or, to wherever a civilization goes when their development and technology enable them to exercise the option to transcend this dimensional world.

As you contemplate that sculpture of a seated Imhotep, surely it becomes apparent the great man himself embodied the very core principles to which the enduring pyramids stand in mute testament. Write your own words. It will be a list of the very best of human aspirations and virtues. And, a long one.

Imhotep. There’s more to it. A rare story. A secret. Something so startling and fantastic you will think it is made up. So that you don’t lose sleep over it, or unnecessarily trouble yourself wondering about the implications of such things … yes, let’s say it is just a story.

So the story goes.

Inside that very first pyramid of Imhotep dated to the 27th Century BC is a secret room. Until recently, the very existence of such a room was itself a secret. 

Inside that room is a single object. One solid piece of Lapis Lazuli. And, of only the purest form and quality. As blue as the midnight sky. Only without even a speck of sparkling golden Pyrite. Amazing for any sized specimen, only this one measuring 3 meters along its length.


It could be described as approximating the attenuated shape of the human form. A perfectly rounded base, graduating to a slender pillar suggesting of legs, then a torso, and a perfectly round head. Three meters, and carved in its entirety with unique glyphs which have no correlates to any known forms of writing. 

Each inscribed glyph is inlaid flush to the stone with pure gold and surrounded by an inlaid gold rectangle. All of it perfectly smooth to the surface of the stone itself. 


At the very top of the head and the very bottom of the round base, 16 glyphs are arranged into circular pie wedges.


There is some conjecture the glyphs may represent the known range of human postures. Sort of a graphic statement of human physical motive potential. Perhaps. But, now, only for someone to decode the information.

The room — a sealed vault, really — which guards this immeasurably precious object is itself completely inaccessible. There's no passageway leading to a sealed entrance. Nothing. Not even a tiny portal(s) for viewing.

That chamber is measured symmetrical to surround the Lapis figure with 3 meters of clearance at the top, and at all four sides. If there were a chance to look inside and bring light into that eternally dark space, the walls are as smooth and reflective as mirrors, the dimensions of the room proportioned perfectly to view every part of that Lapis and gold monolith from any angle and position in the room.

Those walls, as are the ceiling above and floor beneath, lined entirely of the purest jade. Transparent as glass, deeply green and mirror smooth. In squares exactly 10 centimeters to the side, and 1 millimeter thick. Each set and backed with gold surrounds. All flush to a glass-like precision.

The rational mind must by now be asking … why? For what purpose? This particular room with its content presents an enigma even more inscrutable than the pyramid form in which it is encased.

One supposes the speculation and implications about this mystery and its meaning would be as varied as is human motivation. Archaeologists would salivate over the prospect of such a career making discovery. Museum curators or collectors of antiquities would be covetous. The more crass pecuniary types would see a once in a lifetime pay day. The vain, jewelry. The merely curious, a sight seeing side trip. The mystic — the True Mystic, anyway — might hear of it and turn back inward and not give it another thought. The artist, certainly a wealth of inspiration. The designer and engineer would smile in simple recognition of the central tenet of all sound construction: Balance in obvious observance of the dictates of the Law of Gravity.

The decision to seal that chamber must've taken into account such human factors. For the truly insightful, the fact that it is forever sealed in itself communicates everything. As they say, this is one bone buried deep so the dogs won't get at it.

Truth be told, and most amazing of all, that perfect figure stands balanced at only the precise center of its vertical axis. Stop and contemplate that. It stands, literally, on a dime! Moving, if at all, perhaps only in sub-microscopic variances in harmony with the movements of the Earth.

Nothing for support save the exquisite symmetrical and level proportions of its own composition. Even the density of the ground substance Lapis Lazuli must be homogeneous to ensure such perfect equipoise. To say nothing of the incalculable logarithmic calculus encoded into those glyphs; what with the thousands of them each uniquely different with each a different portion of gem substance excised, along with the corresponding, and also unique weights of the gold fills. One can only now imagine how such infinitesimal precision could only be possible in such a completely sealed environment; the least hint of air flow — maybe even a glimmer of light — would insult the ineffable grace and ease.

And, of course, the ponderous stability of the pyramid itself. Words fail. Stand next to it. And, know.

So here we have the secret to the pyramid itself? Or, a clue. Somewhere in its core, supposedly at its very center of its core, this minutely balanced figure … holding everything in place. So fragile a thing, really. Yet, perhaps also so strong. Powerful enough even, maybe to hold the Universe together.

So it goes.